| Selected Clients
Adult Swim / Cartoon Network
|
2011 Vanités Sacrées, Galerie LJ, Paris, France
2010 Study Hall Drawings, Domy Books, Austin, TX 2006 Embroidered Works by Jenny Hart, Art Star, Philadelphia, PA
2005 Embroidered Works by Jenny Hart, Paper Boat, Milwaukee, WI
2004 Threading the Line, Big Cat Gallery, NYC
2003 Exquisite Stitches, Yard Dog, Austin, TX
2003 Collected Constructions, Southwest School of Art and Craft, San Antonio, TX
2002 Sublime Stitching, Yard Dog, Austin, TX
2001 Sight Effects, Independent Art, Cleveland, OH
2000 Beautiful Flood, ManOverBoard.com
1997 Relative Memories, Quad City Arts, Rock Island, IL
1996 Semi-Celestials, The Bourgeois Pig, Lawrence, KS
1992 Heartlonged and Headstrong, Yako Gallery, Kansas City, MO
1991 Weatherveined, Chicago Actor's Ensemble, Chicago, IL
1990 Starry-eyed and Moon-mouthed, Mimzi III Galleries, Davenport, IA
Stitch: Modern Embroidery, Haydon Art Center, Lincoln, NE
Monster Show Five, Domy Books, Austin, TX
2010
Sur Le Fil, Musée International d'Art Modeste, Sete, France
Lost At Sea, Gallery Hanahou, NYC
Replanting the Garden, Big Car Gallery, Indianapolis, IN
Domestic Animals, Webb Gallery, Waxahachie, TX
2009
Fils Croisés, Galerie LJ, Paris, France
Over & Under (curator), Yard Dog, Austin, TX
Art Bloc, Parlor Gallery, Asbury Park, NJ
Fiber Arctic, Schmancy, Seattle, WA
2008
Crocodile Tears, Giant Robot, New York, NY
Practical to Poetic, The Arts Center, St. Petersburg, FL
Devotion to Thread, Woodland Pattern, Milwaukee, WI
2007
Hot Craft, Sesame Gallery, London, UK
Porch Show, Cinders Gallery, Brooklyn, NY
Material Matters, Albrecht-Kemper Museum of Art, St. Joseph, MO
Stitches, Arkansas Arts Center and Museum, Little Rock, AR
2006
New Embroidery, Contemporary Crafts Museum, Portland, OR
Flaunt, Junc Gallery, Los Angeles, CA
Girls! Girls! Girls!, MF Gallery, New York, NY
2005
Werewolf Bongo Party, DVA Gallery, Chicago, IL
American Muscle, Jonathan Ferrara Gallery, New Orleans, LA
Extra / Ordinary, Cube Gallery, Kansas City, MO
Stitch and Swallow, Here Gallery, Bristol, UKSome Birds, Yard Dog, Austin, TX
2004
Girlie Fun Show, Seattle Arts Center, Seattle, WA
Pins and Needles, Camp Fig, Austin, TX
Pinup, The Hat Factory, Chicago, IL
The Dress Up Show, Ohskin Events, Los Angeles, CA
2003
Inside of Inside / The Big Ballyhoo, The Lab, San Francisco, CA
The Haunted Doll House, Copro Nason Gallery, Culver City, CA
Intuit: The Center for Intuitive and Outsider Art (annual showcase), Chicago, IL
2002
Kreepy Krafts, Roq La Rue Gallery, Seattle, WA
Summer Sweets, Barry Whistler Gallery, Dallas, TX
2001
Art Scene II, Artists' Coalition of Austin, Austin, TX
Recipient, Juror's Prize
1991
Davenport Regional Showcase, Davenport Museum of Art, Davenport, IA
Los Angeles Times (US), 2011
Veine (France), 2011
Print Magazine (US), 2009
Madame Figaro | Le Figaro (France), 2009
Vogue (Italy), 2009
Lamono (Spain), 2008
DeFish (Belgium), 2007
Spin (US), 2007
Vogue (UK), 2007
The New York Times Magazine, 2007 and 2009
Nylon (Japan), 2006
Fiber Arts (US), 2006
Juxtapoz (US), 2003 and 2007
Etapes (France), 2005
Celeste (Mexico), 2005
Atypica (Argentina), 2004
The Village Voice (US), 2004
Frankfurter Rundschau, (Germany), 2003
Paper (US), 2003
Embroidery (UK), 2003 and 2007
Nylon (US), 2003
The Face (UK), 2003
The Wall Street Journal (US), 2003
Gulliver (Italy), 2002
Dazed and Confused (UK), 2002
Selected Books
Indie Craft (2010, Laurence King)
Handmade Nation: The Rise of DIY, Art, Craft and Design (2008, Princeton Architectural Press), Faythe Levine
Illustration: Play 1 (2007, Victionary)
Selected Online Interviews
My Love For You Is a Stampede of Horses
Crit: The School of Visual Arts NYC Graduate Design Blog
The Austin Chronicle - Review of Solo Show "Study Hall Drawings"
Jenny Hart was born in 1972 in Iowa City and raised in rural Illinois. She is best known for her artwork in hand embroidery and her design company Sublime Stitching. Hart’s work has been published in numerous books and magazines including Vogue, Nylon, Spin, The Face, Juxtapoz, The New York Times Magazine and others. She has exhibited in Los Angeles, Paris, London and New York. In 2012 her embroidery will be included in a 40-year retrospective group show at the Smithsonian American Art Museum Renwick Gallery. Hart's work is in multiple public and private collections of note, including the estate of Elizabeth Taylor. She is also an award-winning author of eight titles on embroidery for Chronicle Books.
Jenny Hart has lived in Kansas, France and Texas. She currently resides in Los Angeles, California.
photo : Kenneth B. Gall
The Fowler Museum of Art at UCLA has invited me to teach an embroidery workshop in conjunction with the upcoming exhibition: Order and Disorder: Alighiero Boetti by Afghan Women. Please come not just to learn embroidery, but to learn about the incredible work of this Italian conceptual artist and his collaboration with Afghan needleworkers.
Visit Needlework Revolution: Embroidery Workshop with Jenny Hart for full details and to sign up (seats are limited to twenty).
Wonderful. Animals with salvaged needlepoint hides by Frédérique Morrel. Some of her work is currently on display in the windows at Bergdorf Goodman in NYC.
Also making creative re-use of the abundance of needlepoint is Lindsten Form Studio:
"Show me how you wear your hair, and I will tell you to whom you pray."All drawings can be seen online here. Contact Adeline Jeudy info@galerielj.com for more information. Remaining works will go on to the Drawing Now salon at the Louvre in spring 2012.
Twenty graphite and colored pencil drawings by Jenny Hart. These works depict “subjects that cover their heads or fashion their hair for religious reasons. Specifically not when only done as decoration for special religious ceremonies, but when worn as part of daily life and every day dress.” Braids, wigs, veils, chador, sheitel, curled sideburns and a non-exhaustive variety of religious stylings reflect a curiosity by the artist for the subject, without criticism or judgement. Fascinated by the different techniques of embroidery, the other principal medium of Hart’s work, she says she loves to draw embroidery stitches and is equally fascinated with their execution as they parallel the knotting, weaving and embellishment that hair can also take on.
Debut of Richard Saja's SIDESHOW! Toile
@ The Future Perfect
55 Great Jones Street, NYC
ICFF Opening Party
Saturday, May 14th, 7-10pm
The work I am currently making is an intervention into found images through embroidery, cutting, and collaging. The images I use are from women’s high fashion magazines and pornographic images found on the internet. These make up the basis of most of my work although I am starting to explore newspaper imagery as well. My main concern as an artist is how one responds to the mass of imagery in the world. Altering these is central to a lot of my work.
40 under 40: Craft Futures is is presented in honor of the 40th anniversary of the Renwick Gallery. Nicholas R. Bell, curator at the museum’s Renwick Gallery, selected the artists and is organizing the exhibition. The museum intends to acquire works by every artist in the exhibition for the permanent collection to mark the anniversary. The artists included in the exhibition originate from every region of the United States and five countries.Selected Artists:The exhibition investigates evolving notions of craft within traditional media such as ceramics and metalwork, as well as in fields as varied as sculpture, industrial design, installation art, fashion design, sustainable manufacturing, and mathematics. The range of disciplines represented illustrates new avenues for the handmade in contemporary culture.
The exhibition will tour nationally after it closes in Washington, D.C. A catalogue is forthcoming.